Which of the following is not an argument made by Macdonald about Nezha Conquers the Dragon King (1979)?单项选择题
A
Macdonald sees the film as advocating for youth-led social transformation through mythological allegory.
B
The film merges traditional Chinese aesthetics with modern animation to create a uniquely national style.
C
The film shows a shift toward more complex character development, particularly in its portrayal of Nezha.
D
The film reflects unresolved historical trauma through Nezha’s suicide and rebirth, echoing themes from scar literature and art.
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