For Chinatown (1974), Jerry Goldsmith uses a particular technique on the piano where the timbre is altered by inserting different objects into the strings and also sometimes plucking and strumming the strings inside the piano. This is called:

Question

For Chinatown (1974), Jerry Goldsmith uses a particular technique on the piano where the timbre is altered by inserting different objects into the strings and also sometimes plucking and strumming the strings inside the piano. This is called:

BlackTom AI · Accepted Answer

This question asks about a specific piano technique used in the score for Chinatown (1974) by Jerry Goldsmith.
Option 1: 'altered piano' suggests simply changing the piano in some generic way. While it conveys a modification, the established term for inserting objects into the strings and manipulating strings inside the piano is more precise than 'altered piano.' It is not the standard label used in musicology for this technique.
Option 2: 'player piano' refers to a piano that plays itself from perforated rolls or a similar mechanism. This describes automated playback or self-playing pianos, not the act of modifying the instrument's timbre by adding objects to the strings, so it does not fit this technique.
Option 3: 'strum piano' would imply a method of playing or tuning that involves strumming strings externally or within the body, which is not the conventional designation for the practice described. It misses the formal term used for this timbre-altering approach.
Option 4: 'prepared piano' is the standard term for the practice of inserting objects (such as screws, bolts, or pieces of felt) into or on the strings and sometimes plucking or strumming inside the piano to alter its timbre. This technique creates unconventional sounds and is widely associated with modern and experimental music, including film scores that require unique sonic textures.
In summary, the described actions—inserting objects into the strings and sometimes plucking or strumming inside the instrument—align with the concept of a prepared piano, whereas the other labels either describe different concepts or are not recognized terms for this technique.

For Chinatown (1974), Jerry Goldsmith uses a particular technique on the piano where the timbre is altered by inserting different objects into the strings and also sometimes plucking and strumming the strings inside the piano. This is called: Single choice

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