Karrissa Krenz mentions in her article “Chiming In on the Relationship Between Noise, Sound and Music” that

Notice: This question and its associated answer set are protected under copyright, and may not be reproduced without the author's consent.

Question

Karrissa Krenz mentions in her article “Chiming In on the Relationship Between Noise, Sound and Music” that

Notice: This question and its associated answer set are protected under copyright, and may not be reproduced without the author's consent.

BlackTom AI · Accepted Answer

From a composer’s perspective, part of what one does when writing music is study how people react to certain sounds. Key concepts here are composer intent, psychoacoustics, and the distinction between sound, noise, and musical organization. Composers often manipulate timbre, dynamics, rhythm, and repetition because those elements reliably evoke emotional or cognitive responses in listeners; that idea is central to Karrissa Krenz’s discussion.

Step-by-step reasoning:
1. Identify the passage’s focus: Krenz contrasts noise and organized sound and emphasizes how creators shape sound to produce effects. The composer viewpoint is explicitly about anticipating listener reactions.
2. Link to relevant knowledge: Psychoacoustics and music cognition show composers use expected responses (tension, release, familiarity) as compositional tools. That aligns with the claim that composers study how people react to certain sounds when writing.
3. Compare answer options: the first option restates that composer-centered notion; the others assert specific empirical claims (earworms are most profitable, lack of consensus on earworms, Douglas Quin’s permanent hearing loss) that are either hyperbolic, unsupported by the article’s framing, or misstate factual details.
4. Eliminate incorrect choices: (a) “earworms are the most profitable way to make music” is a value/profit claim not supported by Krenz’s analytical focus on perception and aesthetics; (b) “composers have not yet come to an agreement regarding the existence of earworms” mischaracterizes the article’s topic—Krenz discusses reactions to sound, not an unresolved theoretical dispute about earworms; (c) “Douglas Quin has not been able to recover from permanent hearing loss due to a concussion in 2011” is a specific biographical claim absent from the composer-focused argument.

Why the correct answer is correct: it directly captures the article’s emphasis that composers deliberately study and use listener reactions to shape musical material. This explanation confirms the correct answer matches the provided answer: from a composer’s perspective, part of what one does when writing music is study how people react to certain sounds.

Karrissa Krenz mentions in her article “Chiming In on the Relationship Between Noise, Sound and Music” that Notice: This question and its associated answer set are protected under copyright, and may not be reproduced without the author's consent.Single choice

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