According to Elizabeth Hellmuth Margulis’ article ‘One More Time,’ which is true regarding musicalisation?

Notice: This question and its associated answer set are protected under copyright, and may not be reproduced without the author's consent.

Question

According to Elizabeth Hellmuth Margulis’ article ‘One More Time,’ which is true regarding musicalisation?

Notice: This question and its associated answer set are protected under copyright, and may not be reproduced without the author's consent.

BlackTom AI · Accepted Answer

Musicalisation refers to the perceptual shift that happens when repeated speech is heard as musical: listeners begin to attend to pitch contour, rhythm, and timbre instead of the propositional meaning of the words. This is the core concept Margulis describes in “One More Time.”

1. Relevant knowledge points and concepts
- Semantic satiation and repetition effects: repeating a word or phrase reduces access to its meaning.
- Perceptual reorganization: as meaning weakens, acoustic features (pitch contour, rhythm, timbre) become more salient.
- Musical hearing: Margulis argues that this reweighting produces a form of spontaneous musical listening she calls “musicalisation.”

2. Step-by-step reasoning
- Margulis documents experiments and phenomenology showing that repetition destabilizes lexical/semantic processing.
- When semantic processing declines, listeners’ attention is reallocated to lower-level auditory features.
- These features collectively form the “contour” (the melodic shape) of the passage.
- Therefore, musicalisation produces a shift of focus from semantic meaning to contour.

3. Calculations or quantitative steps
- Not applicable; this is a conceptual/phenomenological argument rather than a numerical problem.

4. Why the correct answer is correct
- The provided statement — “Musicalisation” shifts your attention from the meaning of the words to the contour of the passage — directly captures Margulis’s claim that repetition promotes listening to acoustic/melodic properties rather than semantic content.

5. Why the other options are incorrect
- “Developed exclusively in Latin America during 1785” is historically and contextually false; musicalisation is a perceptual term, not a historical movement tied to that place/date.
- “Has no effect on the way we perceive speech, especially during repetition” contradicts Margulis, who focuses precisely on repetition-induced changes in perception.
- “Is a term that has become obsolete in current music theory” is incorrect: Margulis uses and defends the term to explain contemporary perceptual phenomena.

6. Conclusion
This reasoning confirms the correct answer: “Musicalisation” shifts your attention from the meaning of the words to the contour of the passage.

According to Elizabeth Hellmuth Margulis’ article ‘One More Time,’ which is true regarding musicalisation? Notice: This question and its associated answer set are protected under copyright, and may not be reproduced without the author's consent.Single choice

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